Film Analysis: Band Frontman Jason Williamson Assumes Role in Critical Examination at 90s Rave Culture

The work of Portishead co-founder Geoff Barrow, this sharp-edged if undernourished first film casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

Just a single important plot development, but it results in a comically executed chaotic run on the forest trails that dips close to rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.